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She was the still point of the turning world. I never got over that girl. Never. I loved a lot of ladies, but not like that. That was real.
Jeffrey Eugenides, The Virgin Suicides

(via ache)

from voyeuristic longing to disenchanted entanglement
— Jeffrey Eugenides, My Mistress’s Sparrow is Dead (xiv)
Escape from one set of circumstances brings confinement in another. The fated love turns out to be a human fantasy. Desire is a homeostatic system. Push it down in one place and it rises in another.
— Jeffrey Eugenides, My Mistress’s Sparrow is Dead (xiv)
We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
— Jeffrey Eugenides, The Virgin Suicides (44)
Thinking back, we decided the girls had been trying to talk to us all along, to elicit our help, but we’d been too infatuated to listen. Our surveillance had been so focused we missed nothing but a simple returned gaze.
— Jeffrey Eugenides, The Virgin Suicides (199)
We forgot ourselves and held hands, smiling with closed eyes.
— Jeffrey Eugenides, The Virgin Suicides (198)
As it was, we didn’t know them any longer, and their new habits—of opening a window, for instance, to throw out a wadded paper towel—made us wonder if we had ever really known them, or if our vigilance had been only the fingerprinting of phantoms.
— Jeffrey Eugenides, The Virgin Suicides (187)
A year had passed and still we knew nothing.
— Jeffrey Eugenides, The Virgin Suicides (187)
The truth was this: we were beginning to forget the Lisbon girls, and we could remember nothing else.
— Jeffrey Eugenides, The Virgin Suicides (186)
So we lie on our backs, probing, recoiling, probing again, and the seeds of death get lost in the mess God made us.
— Jeffrey Eugenides, The Virgin Suicides (170)
We saw them through the toll they exacted on him: his puffy red eyes that hardly opened anymore to see his daughters wasting away; his shoes scuffed from climbing stairs forever threatening to lead to another inert body; his sallow complexion dying in sympathy with them; and his lost look of a man who realized that all this dying was going to be the only life he ever had.
— Jeffrey Eugenides, The Virgin Suicides (160)
A few boys mentioned the acidic taste of her saliva—the taste of digestive fluids with nothing to do—but none of these signs of malnourishment or illness or grief (the small cold sores at the corners of her mouth, the patch of hair missing above her left ear) detracted from Lux’s overwhelming impression of being a carnal angel.
— Jeffrey Eugenides, The Virgin Suicides (148)
And we’d have to admit, too, that in our most intimate moments, alone at night with our beating hearts, asking God to save us, what comes most often is Lux, succubus of those binocular nights.
— Jeffrey Eugenides, The Virgin Suicides (147)
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