➜ F. Scott Fitzgerald’s Notebooks
- Days of this February were white and magical, the nights were starry and crystalline. The town lay under a cold glory.
- Dyed Siberian horse.
- As thin as a repeated dream.
- The sea was coming up in little intimidating rushes.
- The island floated, a boat becalmed, upon the almost perceptible…
For what it’s worth: it’s never too late or, in my case, too early to be whoever you want to be. There’s no time limit, stop whenever you want. You can change or stay the same, there are no rules to this thing. We can make the best or the worst of it. I hope you make the best of it. And I hope you see things that startle you. I hope you feel things you never felt before. I hope you meet people with a different point of view. I hope you live a life you’re proud of. If you find that you’re not, I hope you have the strength to start all over again.
— F. Scott Fitzgerald
(via mmqd)
Things are sweeter when they’re lost. I know—because once I wanted something and got it. It was the only thing I ever wanted badly…And when I got it it turned to dust in my hands.
— F. Scott Fitzgerald, The Beautiful and Damned
(via mmqd)
They slipped briskly into an intimacy from which they never recovered.
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F. Scott Fitzgerald
(via mmqd)
That is part of the beauty of all literature. You discover that your longings are universal longings, that you’re not lonely and isolated from anyone. You belong.
— F. Scott Fitzgerald
(via mmqd)
I’m not sentimental—I’m as romantic as you are. The idea, you know, is that the sentimental person thinks things will last—the romantic person has a desperate confidence that they won’t.
nevver:
“They were gone, without a word, snapped out, made accidental, isolated, like ghosts even from our pity.”
- F. Scott Fitzgerald, The Great Gatsby
But he hated to be sober. It made him conscious of the people around him, of that air of struggle, of greedy ambition, of hope more sordid than despair, of incessant passage up or down, which in every metropolis is most in evidence through the unstable middle class.
— The Beautiful and Damned, F. Scott Fitzgerald (417)
They went several times to the theatre, and within a week, to her great enjoyment, he was as much in love with her as ever. Quite deliberately she brought it about, realizing too late that she had done a mischief. He reached the point of sitting with her in miserable silence whenever they went out together.
— The Beautiful and Damned, F. Scott Fitzgerald (368)
The Anthony of late, irritable, weak, and poor, could do no less than make her irritable in turn—and bored with everything except the fact that in a highly imaginative and eloquent youth they had come together in an ecstatic revel of emotion. Because of this mutually vivid memory she would have done more for Anthony than for any other human.
— The Beautiful and Damned, F. Scott Fitzgerald (360)
Had she meant to kill herself?—oh, the little fool! He was filled with bitter hate toward her. In this denouement he found it impossibly to realize that he had ever begun such an entanglement, such a mess, a sordid melange of worry and pain.
— The Beautiful and Damned, F. Scott Fitzgerald (347)
But, as always, they were sorry for each other for the wrong things at the wrong times.
— F. Scott Fitzgerald, The Beautiful and Damned (308)
I learned a little of beauty—enough to know that it had nothing to do with truth—and I found, moreover, that there was no great literary tradition; there was only the tradition of the eventful death of every literary tradition.
— F. Scott Fitzgerald, The Beautiful and Damned (253)
To show she was not stopping him she melted into melancholy tears. Together they marshaled the armies of sentiment—words, kisses, endearments, self-reproaches. They attained nothing. Inevitably they attained nothing.
— F. Scott Fitzgerald, The Beautiful and Damned (215)
Beautiful things grow to a certain height and then they fail and fade off, breathing out memories as they decay. And just as any period decays in our minds, the things of that period should decay too, and in that way they’re preserved for a while in the few hearts like mine that react to them. That graveyard at Tarrytown, for instance. The asses who give money to preserve things have spoiled that too. Sleepy Hollow’s gone; Washington Irving’s dead and his books are rotting in our estimation year by year—then let the graveyard rot too, as it should, as all things should. Trying to preserve a century by keeping its relics up to date is like keeping a dying man alive by stimulants.
— F. Scott Fitzgerald, The Beautiful and Damned (166)
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